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by Melanie Anne Phillips A writer asks: On the FAQ's of the Dramatica website, it explains short stories as (condensed): Short stories typically do not go to the depth of a full story and epics usually My reply: Hi, Kyle. Limiting the scope is what we call "slicing and dicing" the Dramatica model. Are you familiar with the "3-D" tower version of the Dramatica Structural chart? It looks like a cross between a Rubik's Cube and a 3-D chess set. It has four levels, split into four separate "towers." Well, the four vertical levels provide depth to a story and the four individual areas covered by the towers provide breadth. So, you can "limit" a story to keep it short by either cutting it down to two or even one tower (like having just a Main and Impact character, but no overall story or subjective personal story, or vice versa), or you can cut it short by limiting the depth (such as having a plot and characters, but no thematic issues.) The important thing to remember is that if you limit a story, don't step out of those limits, even a little bit. The minute you move into a larger or deeper area, the audience will assume your message is bigger and expect your argument to cover all that ground. If you only dabble with a few story points in that area, then it will look as if you are failing to make a complete argument, rather than just adding a little extra breadth or depth. It is much more powerful to make a complete argument within the scope you have outlined for your story, than to appear to make an incomplete argument with a larger scope. Hope this helps.
*Try either or both for 90 days. Not working for you? Return for a full refund of your purchase price! About Dramatica and StoryWeaver Hi, I'm Melanie Anne Phillips, creator of StoryWeaver, co-creator of Dramatica and owner of Storymind.com. If you have a moment, I'd like to tell you about these two story development tools - what each is designed to do, how each works alone on a different part of story development and how they can be used together to cover the entire process from concept to completion of your novel or screenplay. What They Do Dramatica is a tool to help you build a perfect story structure. StoryWeaver is a tool to help you build your story's world. Dramatica focuses on the underlying logic of your story, making sure there are no holes or inconsistencies. StoryWeaver focuses on the creative process, boosting your inspiration and guiding it to add depth, detail and passion to your story. How They Do It Dramatica has the world's only patented interactive Story Engine™ which cross-references your answers to questions about your dramatic intent, then finds any weaknesses in your structure and even suggests the best ways to strengthen them. StoryWeaver uses a revolutionary new creative format as you follow more than 200 Story Cards™ step by step through the story development process. You'll design the people who'll inhabit your story's world, what happens to them, and what it all means. How They Work Alone By itself Dramatica appeals to structural writers who like to work out all the details of their stories logically before they write a word. By itself, StoryWeaver appeals to intuitive writers who like to follow their Muse and develop their stories as they go. How They Work Together But, the finished work of a structural writer can often lack passion, which is where StoryWeaver can help. And the finished work of an intuitive writer can often lack direction, which is where Dramatica can help. So, while each kind of writer will find one program or the other the most initially appealing, both kinds of writers can benefit from both programs. Try Either Program Risk Free! We have a 90 Day Return Policy here at Storymind. Try either or both of these products and if you aren't completely satisfied we'll cheerfully refund your purchase price.
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Contact Us - About Us - Lowest Price Guarantee - Shipping - Return Policy - Bonus Package Copyright Melanie Anne Phillips - Owner, Storymind.com, Creator Storyweaver, Co-creator Dramatica |