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Character
Conflict Can Limit
Your Characters
by Melanie Anne
Phillips
Creator StoryWeaver, Co-creator Dramatica
Many books on writing will tell you that a good
story requires character conflict. In fact, this is far too limiting.
Just as with real people, character can relate in ways other than by
coming into conflict which are just as strong dramatically.
Dramatica defines four different kinds of
relationships, each of which can be positive or negative in nature:
1. Dynamic 2. Companion 3. Dependent 4.
Associative
1. Dynamic relationships are conflictual.
Positive Dynamic relationships are like the "loyal
opposition" where two sides butt heads, but synthesize a better
solution because of the conflict. Negative Dynamic relationships occur
when two sides butt heads until each is beaten into the ground.
2. Companion relationships involve the indirect
impact one character has on another. Positive Companion relationships
occur when there is beneficial "fall-out" or
"spill-over" between the two sides. For example, a father
might work at a factory where he can bring home scrap balsa wood that
his son uses for making models. Negative companion relationships
involve negative spill-over such as a room-mate who snores.
3. Dependent relationships describe the joint
impact of the two sides. For example, positive Dependent relationships
might bring Brain and Braun together so that they are stronger than
the sum of their parts. A negative Dependent relationship might have a
character saying, "I'm nothing without my other half."
4. Associative deals with the relationship of
the individual to the group. Rather than being consistently positive
or negative, the two varieties of this kind of relationship may be
either - but in any given relationship one variety will be positive
and the other negative. The Component variety sees characters as
individuals. The Collective variety sees them as a group.
For example, two brothers might fight between
themselves (Component), yet come to each others' aid when threatened
by a bully because they now see themselves as family (Collective).
If you limit yourself to exploring only the
conflicting relationships, 3/4 of the ways in which people actually
relate will not appear in your characters. What's worse, if you limit
yourself to using only negative conflict, 7/8 of real relationships
will be missing in your story.
By exploring all four kinds of relationships in
both positive and negative modes, your characters will interact in a
full, rich, and realistic manner.
Keep in mind: believable character are not only
built by developing each independently, but also by how they relate
one to another!
Copyright © Melanie Anne Phillips
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