Thousands of writers use StoryWeaver to build their story’s world, characters, plot, theme,
and genre.
Thousands of writers use Dramatica to find and refine their story’s structure and to find and fix holes and missteps.
- 200 Interactive Story Cards guide you from concept to completion, step by step.
- Help Buttons with Writing Tips, Example Stories, Hints, and Tricks.
- Work on multiple stories at once.
- Jot down creative notes from anywhere in StoryWeaver.
- Placeholder: Pick up writing where you left off.
- Develop multiple levels of detail for your plot and characters.
- Intuitive navigation path helps you follow your Muse.
- Works on any device: desktop, laptop, tablet, phone, Windows, Macintosh, iOs, Android & Chrome
- Patented Story Engine cross- references your dramatic choices to create a structure map.
- AI style narrative model finds holes, missteps and suggests how to fix & fill them.
- Automatically generates a timeline from your story’s structural map.
- Offers three levels of detail depending on the complexity of your story.
- Includes hundreds of examples, tips, tricks, and techniques.
- Comes with more than sixty structural maps for classic and popular novels, movies and stage plays.


Some writers become so wrapped up in interesting events and bits of action that they forget to have a central unifying goal that gives purpose to all the other events that take place. This creates a plot without a core. For a story to have a message, it is essential that the readers or audience are completely clear on what the goal is at the heart of all the hubbub.
But determining your story's goal can be difficult, especially if your story is character oriented, and not really about a Grand Quest. In such cases, there is no single goal everyone is competing to achieve (such as winning the love of a particular prince or princess), but rather everyone is trying to win the love of their own special someone.
Such a story definitely has a goal: to find happiness in a relationship. But the object of that desire is not the exact same person. This type of goal is called a Collective Goal since it is not about trying to achieve the same thing, but the same KIND of thing.
Trying to impose a single unifying goal on such a story is a bad fit and will come across as stilted and artificially imposed. Using a collective goal can be far more organic and play to the passions of the piece, such as in ensemble stories where the desire is to elevate a number of characters, not just the main character.
Bottom line: Every story needs a goal to pull the plot together and provide a focus for the message. But considering the goal for your story, don't feel obligated to impose a contrived central goal if a collective goal is more appropriate.